My First Image Is Syracuse University And It Represents A...

My first image is Syracuse University and it represents a college or university. My first question or subtopic is what is the definition of college and I believe this is a general representation of how a college looks. It shows a broad overview of the campus and I chose this picture instead of others because it stood out to me. As a high school senior I went on numerous amount of college tours; and if the college campus looks appealing it made me think twice about attending. If the buildings are old fashioned, and the campus doesn’t look nice then a student may not want to attend that school. My second image shows about 6 or 7 college textbooks stacked on top of each other with the dollar sign next to it. This is a metaphor to the true meaning of college, which is college wants an exuberant amount of money from its students for such a small return investment. They want students to pay for 5 to 6 textbooks each semester which is absurd because college textbooks can cost students $500 to $700. My third image represents the average college student. Each college student at certain point in the semester goes through a time where they feel like giving up because the work becomes overwhelming. As a college student I sometimes wonder if this is all going to be worth the stress and hard work. Trying to balance extra curricular activities, classes, and work is a lot for someone to handle, so being stressed out and overwhelmed is a natural feeling. The fourth image is a simpleShow MoreRelatedEssay on Critical analysis of Alice Sebolds The Lovely Bones3148 Words   |  13 Pageshelped set the stage for her literary career. When Alice Sebold was a freshman at Syracuse University, she survived a brush with death herself. On May 8, 1981, she was raped while walking home through a park off campus. 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Boston Columbus Indianapolis New York San Francisco Upper Saddle River Amsterdam Cape Town Dubai London Madrid Milan Munich Paris Montreal Toronto Delhi Mexico City Sao Paulo Sydney Hong Kong Seoul Singapore Taipei Tokyo Editorial Director: Sally Yagan Director of Editorial Services:Read More_x000C_Introduction to Statistics and Data Analysis355457 Words   |  1422 PagesIntroduction to Statistics and Data Analysis This page intentionally left blank Introduction to Statistics and Data Analysis Third Edition Roxy Peck California Polytechnic State University, San Luis Obispo Chris Olsen George Washington High School, Cedar Rapids, IA Jay Devore California Polytechnic State University, San Luis Obispo Australia †¢ Brazil †¢ Canada †¢ Mexico †¢ Singapore †¢ Spain †¢ United Kingdom †¢ United States Introduction to Statistics and Data Analysis, Third Edition RoxyRead MoreDeveloping Management Skills404131 Words   |  1617 Pagesbuilt-in pretests and posttests, focus on what you need to learn and to review in order to succeed. 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`` Young Goodman Brown `` And `` The Cask Of Amontillado ``

Some of the first impactful, original, and insightful writers of the United States were in the era of American Romanticism. Authors, such as Nathaniel Hawthorne and Edgar Allan Poe, began to flourish in new ideas to progress the evolution of the American literary identity. â€Å"Young Goodman Brown† and â€Å"The Cask of Amontillado,† short stories by Nathaniel Hawthorne and Edgar Allan Poe, respectively, illustrate protagonists on journeys to fulfill their own desires. Utilizing setting and the motif of guilt, Hawthorne and Poe create stories where a protagonist completes a journey that eventually leads to the realization that a clean conscience has a crucial role to one s life. Throughout both short stories, the settings of the protagonists’ physical journeys parallel their emotional ones. Hawthorne utilizes a dark, mystical forest to highlight the fact that Brown takes an abnormal path. Similarly, Poe uses the dark catacombs of Italy filled with the dead to s howcase the path Montresor and Fortunato take to their desired destination for the live burial of Fortunato. Additionally, in the course of their journeys, each of the main characters reflect on their actions and both come to realize they have committed reprehensible acts. Hawthorne takes Brown on a journey where he realizes over time the extent of the sins he has committed and suffers guilt for his hypocrisy toward others. Montresor, determined to bury Fortunato alive, demonstrates signs of guilt even before he has committedShow MoreRelated`` Young Goodman Brown `` And `` The Cask Of Amontillado ``1451 Words   |  6 Pagesinsightful writers of the United States were in the era of American Romanticism. Authors, such as Nathaniel Hawthorne and Edgar Allan Poe, began to flourish in new ideas to progress the evolution of the American literary identity. â€Å"Young Goodman Brown† and â€Å"The Cask of Amontillado,† short stories by Nathaniel Hawthorne and Edgar Allan Poe , respectively, illustrate protagonists on journeys to fulfill their own desires. Utilizing setting and the motif of guilt, Hawthorne and Poe create stories where a protagonistRead MoreYoung Goodman Brown And A Cask Of Amontillado Analysis1110 Words   |  5 PagesYoung Goodman Brown and A Cask of Amontillado both incorporate a gothic theme to the simple yet intricate plotline they hold. Within the two short stories, irony scatters, adding to the overall grim theme. Although they use the same 3 types of irony, the authors use them differently and similarly at the same time. In Young Goodman Brown by Nathaniel Hawthorne and A Cask of Amontillado by Edgar Allen Poe, there are many examples of situational irony that are used comparably in both texts. DramaticRead MoreTheme Of Young Goodman Brown And The Cask Of Amontillado740 Words   |  3 Pages â€Å"Young Goodman Brown† by Nathaniel Hawthorne and â€Å"The Cask of Amontillado† by Edgar Allen Poe have surplus amounts of irony that animate both short stories. Demented felonious antagonists and clueless protagonists cause the stories to seem similar. Montresor, a cunning and licentious human from â€Å"The Cask of Amontillado† and caring Goodman from â€Å"Young Goodman Brown† persistently use verbal irony, nevertheless, the irony is unique to each story. In â€Å"The Cask of Amontillado† and â€Å"Young Goodman Brown†Read MoreTheme Of Young Goodman Brown And The Cask Of Amontillado970 Words   |  4 Pagesthat Nathaniel Hawthorne and Edgar Allan Poe compliment and counteract this goal in their works â€Å"Young Goodman Brown† and â€Å"The Cask of Amontillado†, respectively, is with irony. Their masterful use of irony engages the reader in the work and invites them to consider the story and the characters’ intentions. The irony presented in â€Å"Young Goodman Brown† by Nathaniel Hawthorne and â€Å"The Cask of Amontillado† by Edgar Allan Poe allows us to understand the emotions of the characters and the mood of the workRead MoreThe Cask Of Amontillado, By Edgar Allen Poe And Young Goodman Brown981 Words   |  4 Pagesstories The Cask of Amontillado by Edgar Allen Poe and Young Goodman Brown by Nathaniel Hawthorne. Specifically it will discuss the phenomenon of evil in the human he art as it appears in these two works. Evil lives in everyone, whether they want to acknowledge it or not. These two chilling tales show two different sides of evil, but they both illustrate how evil can corrupt a person right down to their very heart and soul. The narrator, Montresor, in The Cask of Amontillado is so evil inRead MoreThe Cask Of Amontillado By Edgar Allan Poe763 Words   |  4 Pagesdiverse as the stories themselves. Three stories will be discussed in this paper -- first, Edgar Allan Poe’s The Cask of Amontillado tells a dark tale of revenge. Next, in Shirley Jackson’s The Lottery, it is shown that a tradition can be dangerous when followed blindly. Finally, Nathaniel Hawthorne’s Young Goodman Brown deals with the loss of innocence and faith. In The Cask of Amontillado, the narrator, Montresor, is seeking revenge on Fortunato, a man who has offended him one too many times. MontresorRead MorePoe vs Hawthorne1992 Words   |  8 Pagesliterary element he employed, however, would be false. Throughout history, authors have endeavoured to master other forms of literary elements, to become the master of those elements, and equal to none in them. By comparing â€Å"The Cask of Amontillado† with â€Å"Young Goodman Brown†, is to study two masters, at odds with their specific forms of writing, but each a master in his own right. Each story shows how two people that can be so far apart on a scale, can use the same literary elements in similar andRead More`` The Cask Of Amontillado `` By Edgar Allan Poe1848 Words   |  8 Pagesstories are in the third person point of view where the narrator tells the story of the characters. The narration style of first person gives it a more intense feel to the audience such as the story â€Å"The Cask of Amontillado† than a third person narration style such as the story â€Å"Young Goodman Brown†. Edgar Allan Poe creates his short stories by telling them through the first person point of view which creates the quality of his stories. The main character in the stories are allowed to tell them fromRead MoreAmerica s Deep Puritan And Calvinist Roots841 Words   |  4 Pagesand hypocrisy that was present at the time. In Nathaniel Hawthorne’s â€Å"Young Goodman Brown† we have an allegory that appears to be quite obvious. The pious young Brown literally and figuratively leaves his â€Å"Faith† and embarks on a walk with the devil. During his stroll, he comes upon all the people in his life he thought most Christian- including the local reverend, his catechism teacher, and ultimately his own young wife. Brown is traumatized to learn that his faith had been misplaced in people whoRead MoreFamous American Authors: Ralph Waldo Emerson, Edgar Allan Poe, and Nathanial Hawthorne554 Words   |  3 Pagesoffers a lot of negative evidence towards Transcendentalism. Hawthorne’s use of literary techniques to transport ideals of Antitranscendentalism to his readers, and it also proved that every man could be corrupted and altered by society like in Young Goodman Brown. His works interrputed meanings showed the important of tolerance and understanding by society over differences in religious and intellectual planes. Another Antitranscendentalist of the Romantic era was Edgar Allan Poe, considered the first `` Young Goodman Brown `` And `` The Cask Of Amontillado `` Some of the first most impactful, original, and insightful writers of the United States were in the era of American Romanticism. Authors, such as Nathaniel Hawthorne and Edgar Allan Poe, began to flourish in new ideas to progress the evolution of the American literary identity. â€Å"Young Goodman Brown† and â€Å"The Cask of Amontillado,† short stories by Nathaniel Hawthorne and Edgar Allan Poe, respectively, illustrate protagonists on journeys to fulfill their own desires. Utilizing setting and the motif of guilt, Hawthorne and Poe create stories where a protagonist completes a journey that eventually leads to the realization that a clean conscience has a crucial role to one s life. Throughout both short stories, the settings of the protagonists’ physical journeys parallel their emotional ones. Hawthorne utilizes a dark, mystical forest to highlight the fact that the path Brown takes is an abnormal one. Similarly, Poe uses the dark catacombs of Italy filled wi th the dead to showcase the path Montresor and Fortunato take to their desired destination for the live burial of Fortunato. Additionally, in the course of their journeys, each of the main characters reflect on their actions and both come to realize the acts they have committed are reprehensible. Hawthorne takes Brown on a journey where he realizes over time the extent of the sins he has committed and suffers guilt for his hypocrisy toward others. Montresor, determined to bury Fortunato alive, demonstrates signs of guilt evenShow MoreRelatedYoung Goodman Brown And A Cask Of Amontillado Analysis1110 Words   |  5 PagesYoung Goodman Brown and A Cask of Amontillado both incorporate a gothic theme to the simple yet intricate plotline they hold. Within the two short stories, irony scatters, adding to the overall grim theme. Although they use the same 3 types of irony, the authors use them differently and similarly at the same time. In Young Goodman Brown by Nathaniel Hawthorne and A C ask of Amontillado by Edgar Allen Poe, there are many examples of situational irony that are used comparably in both texts. DramaticRead More`` Young Goodman Brown `` And `` The Cask Of Amontillado ``1424 Words   |  6 Pagesinsightful writers of the United States were in the era of American Romanticism. Authors, such as Nathaniel Hawthorne and Edgar Allan Poe, began to flourish in new ideas to progress the evolution of the American literary identity. â€Å"Young Goodman Brown† and â€Å"The Cask of Amontillado,† short stories by Nathaniel Hawthorne and Edgar Allan Poe, respectively, illustrate protagonists on journeys to fulfill their own desires. Utilizing setting and the motif of guilt, Hawthorne and Poe create stories where a protagonistRead MoreTheme Of Young Goodman Brown And The Cask Of Amontillado740 Words   |  3 Pages â€Å"Young Goodman Brown† by Nathaniel Hawthorne and â€Å"The Cask of Amontillado† by Edgar Allen Poe have surplus amounts of irony that animate both short stories. Demented felonious antagonists and clueless protagonists cause the stories to seem similar. Montresor, a cunning and licentious human from â€Å"The Cask of Amontillado† and caring Goodman from â€Å"Young Goodman Brown† persistently use verbal irony, nevertheless, the irony is unique to each story. In â€Å"The Cask of Amontillado† and â€Å"Young Goodman Brown†Read MoreTheme Of Young Goodman Brown And The Cask Of Amontillado970 Words   |  4 Pagesthat Nathaniel Hawthorne and Edgar Allan Poe compliment and counteract this goal in their works â€Å"Young Goodman Brown† and â€Å"The Cask of Amontillado†, respectively, is with irony. Their masterful use of irony engages the reader in the work and invites them to consider the story and the characters’ intentions. The irony presented in â€Å"Young Goodman Brown† by Nathaniel Hawthorne and â€Å"The Cask of Amontillado† by Edgar Allan Poe allows us to understand the emotions of the characters and the mood of the workRead MoreThe Cask Of Amontillado, By Edgar Allen Poe And Young Goodman Brown981 Words   |  4 Pagesstories The Cask of Amontillado by Edgar Allen Poe and Young Goodman Brown by Nathaniel Hawthorne. Specifically it will discuss the phenomenon of evil in the human he art as it appears in these two works. Evil lives in everyone, whether they want to acknowledge it or not. These two chilling tales show two different sides of evil, but they both illustrate how evil can corrupt a person right down to their very heart and soul. The narrator, Montresor, in The Cask of Amontillado is so evil inRead MoreThe Cask Of Amontillado By Edgar Allan Poe763 Words   |  4 Pagesdiverse as the stories themselves. Three stories will be discussed in this paper -- first, Edgar Allan Poe’s The Cask of Amontillado tells a dark tale of revenge. Next, in Shirley Jackson’s The Lottery, it is shown that a tradition can be dangerous when followed blindly. Finally, Nathaniel Hawthorne’s Young Goodman Brown deals with the loss of innocence and faith. In The Cask of Amontillado, the narrator, Montresor, is seeking revenge on Fortunato, a man who has offended him one too many times. MontresorRead MorePoe vs Hawthorne1992 Words   |  8 Pagesliterary element he employed, however, would be false. Throughout history, authors have endeavoured to master other forms of literary elements, to become the master of those elements, and equal to none in them. By comparing â€Å"The Cask of Amontillado† with â€Å"Young Goodman Brown†, is to study two masters, at odds with their specific forms of writing, but each a master in his own right. Each story shows how two people that can be so far apart on a scale, can use the same literary elements in similar andRead More`` The Cask Of Amontillado `` By Edgar Allan Poe1848 Words   |  8 Pagesstories are in the third person point of view where the narrator tells the story of the characters. The narration style of first person gives it a more intense feel to the audience such as the story â€Å"The Cask of Amontillado† than a third person narration style such as the story â€Å"Young Goodman Brown†. Edgar Allan Poe creates his short stories by telling them through the first person point of view which creates the quality of his stories. The main character in the stories are allowed to tell them fromRead MoreAmerica s Deep Puritan And Calvinist Roots841 Words   |  4 Pagesand hypocrisy that was present at the time. In Nathaniel Hawthorne’s â€Å"Young Goodman Brown† we have an allegory that appears to be quite obvious. The pious young Brown literally and figuratively leaves his â€Å"Faith† and embarks on a walk with the devil. During his stroll, he comes upon all the people in his life he thought most Christian- including the local reverend, his catechism teacher, and ultimately his own young wife. Brown is traumatized to learn that his faith had been misplaced in people whoRead MoreFamous American Authors: Ralph Waldo Emerson, Edgar Allan Poe, and Nathanial Hawthorne554 Words   |  3 Pagesoffers a lot of negative evidence towards Transcendentalism. Hawthorne’s use of literary techniques to transport ideals of Antitranscendentalism to his readers, and it also proved that every man could be corrupted and altered by society like in Young Goodman Brown. His works interrputed meanings showed the important of tolerance and understanding by society over differences in religious and intellectual planes. Another Antitranscendentalist of the Romantic era was Edgar Allan Poe, considered the first

Tyranny Essay Research Paper Within The Republic free essay sample

Tyranny Essay, Research Paper Within The Republic, Plato states that dictatorship is? the most morbid? sort of society ( Republic, 544c ) . Aristotle echoes this belief when he boldly asserts within Politicss that great honours should be? bestowed? on him who kills a tyrant. ? ( Politics, 1267a15 ) From these quotation marks entirely, it is clear that both portion a contempt for dictatorship. This essay will compare and contrast Plato ( the Republic ) with Aristotle ( the Politics ) on the causes and effects of dictatorship. In order to hold on how Plato accounts for the development of dictatorship, it is of import to understand how he equates the metropolis with the psyche. Within The Republic, Plato explains that the psyche consists of three parts: ground ( wisdom ) , spirit ( courage/honour ) and appetite ( moderation/desire ) . The category construction of Plato? s ideal metropolis besides embodies these divisions: The defenders or ? philosopher male monarchs? represent wisdom and are entrusted to govern ; the aides represent bravery and service to protect the metropolis ; the manufacturers represent moderateness and service to supply the economic and agricultural base for the metropolis. While, as Plato connotes in this analogy, all three parts have a topographic point in building the ideal, ground is the steering force that mediates and pull from the viing nature of these parts to bring forth a merely metropolis. Consequently, since? alteration in every government comes from that portion of it which holds the opinion offices, ? ( Republic, 551d ) it is the loss of ground by the opinion category which destroys the merely metropolis and provides for the eventual oncoming of dictatorship, a province devoid of harmoniousness amongst its parts. In explicating how the ideal metropolis would finally devolve, Plato puts forth a four-stage additive aside towards dictatorship. From the ideal province, a timocracy is first born from the love of honor. As wealth becomes cherished among the citizens, timocracy gives manner to oligarchy. In an oligarchic province, the desire for freedom or licence leads to the rise of democracy. And eventually, as the desire for freedom additions and becomes limitless, the metropolis is said to fall into a province of dictatorship. Therefore, for Plato, a autocrat is a Democrat who has lost all restraint. While Plato views the decay towards tyranny as a unvarying aside, the presence of this widespread decay finally creates the conditions for one individual to lift to power. ( Republic, 565d ) Within this aside, ground is bit by bit overcome by appetite until an? insatiate desire? for freedom transforms a democracy into a dictatorship. While such footings as? freedom? and? democracy? may arouse certain intensions for the modern-day reader, it is of import to maintain in head that Plato views a government that promotes freedom and licence as its primary nonsubjective as a topographic point where ground is overcome by desire. While citizens of such governments might compare unrestricted democracy with freedom, as Plato explains, ? the existent autocrat is, even if he doesn? T seem so? in truth a existent slave. ? ( Republic, 579d ) In practical footings, Plato views money and private belongings as the floodgate to this decay: Whenever they? ll possess private land, houses, and currency, they? ll become? Masterss and enemies alternatively of Alliess of the other citizens ; detesting and being hated, plotting and being plotted against, they? ll lead their lives far more afraid of the enemies within than those without. Then they themselves every bit good as the remainder of the metropolis are already hotfooting towards a devastation that lies really nigh. ( Republic, 417a ) Since in the ideal metropolis or psyche, a proper balance of its parts produces justness, dictatorship, in Plato? s position, is the complete absence of justness ensuing from an accent on the hunt for private belongings and dissoluteness. While Aristotle acknowledges that a philosopher male monarch, as presented by Plato, should be allowed to govern, he is disbelieving that such a figure could be. He is critical of The Republic as he does non see Plato? s three-party building as a likely or even desirable construction. Choosing a more matter-of-fact lens, Aristotle attacks political relations by pulling upon the existing constructions of authorities, viz. monarchy as the regulation by one individual, nobility as the regulation by the few and constitutional authorities as the regulation by the many. Sketching their negative opposite numbers, Aristotle refers to the regulation by the many as a democracy, by the few as an oligarchy, and by the 1 as a dictatorship. ? For dictatorship is a sort of monarchy which has in position the involvement of the sovereign only. ? ( Politics, 1279b ) While this list may resemble that of Plato? s, Aristotle refutes the additive aside into tyranny put away within The Republic. ( Politics, 1303a15-30 ) Although Aristotle advocates a assorted government or? civil order? as the best possible political system, he believes that, in certain state of affairss, other types of authorities would non merely be successful but besides desirable. While a monarchy may more easy impart itself to despotic regulation, no 1 government, in its positive signifier, leads to the creative activity of a dictatorship. As Aristotle provinces, ? ? while one fundamental law is more choiceworthy, nil prevents a different one from being more good to some. ? ( Politics, 1296b10 ) Like Plato, Aristotle singles out inordinate desire as the force that drives people to tyranny, ? for desire is a wild animal, and passion perverts the heads of swayers, even when they are the best of men. ? ( Politics, 1287a30 ) He does non, nevertheless, accept Plato? s averment that this desire is an progeny of private belongings. For Aristotle, private belongings is a agency to a non-economic terminal. He points out that things held in common are non as valued and cared for as those things which people claim owne rship and duty for. Used in the proper manner, Aristotle argues, private belongings does non take to tyranny. It is merely when people live entirely for wealth and private belongings and go? slaves of their pleasances? that tyranny flourishes. By doing the metropolis correspondent with the psyche, Plato presents the decay towards tyranny as a series of homogeneous alterations within the attitudes of both the ruled and the swayers. Alternatively, Aristotle positions the oncoming of dictatorship as chiefly arising from one person. This trickledown position of dictatorship promotes tyranny as the ability of an person to indoctrinate the multitudes, ? for merely a great psyche can populate in the thick of problem and wrong without itself perpetrating any base act. ? ( Politics, 1253a31 ) Although Plato and Aristotle disagree as to the beginning of dictatorship, both conclude that in terminal a despotic swayer will come to power. Turning from the analysis of the causes of dictatorship, we find that both philosophers portion some of import points on its effects. To guarantee that the citizens would non represent a menace to the autocrat, both philosophers surmise that a autocrat must deviate the attending of the multitudes. To this terminal, they point to war as a diversionary maneuver taken on by the autocrat. ( Republic, 566e and Politicss, 1308a28 ) As history has shown us, by supplying the populace with the pressing issues of war, a autocrat can forge and strengthen his government in the name of national security. By deviating the public? s attending, as Plato provinces, autocrats will? coerce [ the public ] to attend to gaining their day-to-day staff of life instead than to plot against him. ? ( Republic, 567a ) By structuring society so that citizens are caught up in their private personal businesss, the autocrat ensures that there is small or no clip to concentrate on other issues. This is a peculiarly of import point for Aristotle who, unlike Plato, sees a value in public political engagement. Within the? civil order? put Forth by Aristotle, citizens enter into political relations ( to the best of their ability ) merely after they have managed to set their economic necessities or ? family? into order. ( Politics, 1328b37 ) It is merely when citizens are free from holding to concentrate on the necessities of their private lives that they can happen the leisure to take part in political relations. Since Aristotle defines citizens as? merely those who are freed from necessary services, ? ( Politics, 1278a10 ) a metropolis under the regulation of a autocrat, in Aristotle? s position, does non hold citizens. While both philosophers acknowledge that autocrats need to busy the public? s attending, in observing Plato? s antipathy for public engagement in political relations, it is Aristotle who extends the impression that tyrannies depoliticize the public. Plato suggests that since the populace is non cognizant of their political environment, the autocrat will show himself as a? gracious and soft? leader to farther lenify them. ( Republic, 560e ) To further protect his regulation, Aristotle believes that the autocrat will seed misgiving among the citizens, ? for a dictatorship will non be overthrown until some people trust each other. ? ( Politics, 1314a15 ) By advancing misgiving within the province, the citizens, who are already busy with their ain work and personal lives, will be discourage from publically showing any condescending position on the political government. Furthermore, by promoting citizens to be wary of their neigbours, the people themselves could service as an drawn-out type of constabulary. As both writers connote, deceit entirely will non procure a autocrat? s power. Once the autocrat has succeeded in going swayer, he must extinguish anyone that might endanger his regulation. As Plato provinces, ? [ a tyrant ] must maintain a crisp oculus out for work forces of bravery or vision or intelligence or wealth? until he has purged them from the state. ? ( Republic, 567b ) Aristotle agrees, stating? the autocrat should discerp off the caputs of those who are excessively high and he must set to decease work forces of spirit. ? ( Politics, 1284a29 ) By fring the metropolis of other possible leaders, the autocrat promotes a type of averageness amongst the citizens. As a consequence, scientists, philosophers, and others whose endowments or wealth might be perceived by the autocrat as a menace will either meet with strong subjugation or decease. Since such force will probably consequence in some kind of discontent? for even within such an haunted and self-seeking public depicted by Plato, the loss of one? s male parent or brother will non happen without some signifier of disapproval? a autocrat will be forced to brand commissariats for his personal safety. To this terminal, both Plato and Aristotle province that autocrats are compelled to hold escorts. Both minds see the autocrats pulling their defenders from the same outside pool: Aristotle provinces that piece legitimate swayers? have escorts drawn from the citizens? [ autocrats ] have their escorts to protect them against the citizens? ( Politics, 1285a25 ) while Plato believes that the autocrat will non pull his escorts from the people, but instead from the slaves ( who are non considered citizens ) ( Republic, 567e ) . In bend these devoted escorts will protect the autocrat and prevent any popular discontent, much like modern-day autocrats have done through the usage of their ground forcess or national guard. Plato? s Republic and Aristotle? s Politics provide us with some of the earliest documented theories of dictatorship. While many bookmans are critical of some of these penetrations, the two thousand old ages since their release have demonstrated the relevancy of many of the cardinal thoughts. The part of these two philosophers in this and many other Fieldss virtues acknowledgment. As Issac Newton one time said, it is? merely by standing on the shoulders of giants? that we have come this far.

Story of Blima Outline Essay Example

Story of Blima Outline Paper Bethany S. Reading 050 11/29/11 The Story of Blima: A Holocaust Survivor I. Before the Storm A. Blima’s personality 1. Known as best child; smart 2. Works at bakery with Aunt 3. Embarrassed about chest B. Blima’s guilt 1. At 6 years old dropped baby brother, Zalman, and he died when 2 months old 2. Mother is very forgiving C. Blima’s vanity 1. Thinks she’s not pretty like her sister, Adele 2. Mother says Blima looks most like herself D. Grandfathers death 1. Cat, Masha, lies at feet of grandfather; she senses disaster 2. Blima comforts mother E. Blima’s difficulties 1. Loses favorite shoes . Faints at grandfathers funeral; doesn’t like being center of attention II. Darkness Falls A. The nightmare begins 1. Going home early from working at bakery because business isn’t good 2. On way home Nazis kidnap her 3. Last time she saw her mother B. Traveling to labor camp 1. Walking with group; links arm with girl who falls 2. Secretly gets twig s to munch on 3. Shoved into cattle car 4. Finds friend, Clara, who was schoolmate 5. Tries not to faint; looks at other peoples shoes to distract herself C. No longer Blima 1. German woman commandant takes coat off along with jewelry 2. Hair is shaved; clothes are changed to white blouse and black skirt 3.. Shoes changed to wooden ones 4. Five-digit number tattooed to arm, no longer Blima, but a number ~ 44703 D. First day of labor camp 1. Woken at 4am for roll call 2. Taken to factory to work 3. Says she can work to avoid gas chamber 4. Gizella secretly helps Blima with machine E. Gizella 1. Helps her by giving her food 2. Tells Blima that she will be her mother F. Transported 1. After three years is taken to another camp 2. Finds sister-in-law, Ruschia G. Trying to stay alive 1. The stench of the dead is unbearable; lots of sickness . British generals come to their rescue III. Daylight A. Blima is alive 1. Knows she is alive 2. Freed; Red Cross brings food B. Reunions and disappointments 1. Everybody is looking for somebody 2. Ruschia’s husband, Victor, is alive 3. Blima’s younger brother, Kalman, is alive C. A new chance, a renewal of life 1. Victor finds Ruschia and Blima 2. On the Jewish New Year they wear a prayer shawl that means: a new chance, a renewal of life. 3. They praise God for keeping them alive D. Searching 1. Victor looks for Kalman – no hope 2. Victor looks again but brings Ruschia along – they find him . Blima receives note from woman who lived with Gizella E. Blima searches for Gizella 1. She visits the woman, Frau Danhaus, who gave her the note 2. She found out a rumor that Gizella was taken by Nazi guards and was shot for helping a Jew, Blima F. Chiel 1. Ruschia and Victor want Blima to marry 2. A cousin of theirs knows of Chiel who is alone 3. Chiel visits Blima and they share stories of what happened to them in the labor camps G. Blima’s future 1. She marries Chiel the same month she was taken and freed – April 2. Moves to America with Chiel; has a son and daughter We will write a custom essay sample on Story of Blima Outline specifically for you for only $16.38 $13.9/page Order now We will write a custom essay sample on Story of Blima Outline specifically for you FOR ONLY $16.38 $13.9/page Hire Writer We will write a custom essay sample on Story of Blima Outline specifically for you FOR ONLY $16.38 $13.9/page Hire Writer